Min Zhang, born into a lineage of art creators, stands at the intersection of Eastern metaphysical thinking and Western artistic techniques. His work serves as a bridge between cultures, a visual exploration of the universe's fundamental patterns, and a meditation on the nature of existence itself.
Drawing inspiration from Taoist philosophy, particularly the I Ching (Book of Changes), and Tibetan Buddhism, Zhang creates geometric abstract art that seeks to visualise complex metaphysical concepts. His paintings are not mere expressions of emotion, but rather attempts to reveal the hidden cosmic patterns that govern our reality.
Zhang believes that art should transcend the realm of personal feelings and instead strive to touch upon universal truths. By combining the principles of Western geometric abstraction with the profound wisdom of Chinese philosophy, he aims to create works that are both visually striking and intellectually stimulating.
His creative process involves intensive study of Taoist texts, mathematical calculations, and extensive experimentation with patterns and forms. Each piece is a careful arrangement of symbols and elements derived from the I Ching, including the concept of Yao (爻) - the basic unit of change - and the interplay between Yin and Yang.
Through his art, Zhang invites viewers to engage in metaphysical contemplation, pondering questions about the nature of the universe, the relationship between order and chaos, and the interconnectedness of all things. He sees his role as an artist as parallel to that of a scientist, proposing visual hypotheses about the nature of reality that may inspire new avenues of thought and exploration.
By merging quantum physics concepts with traditional Chinese philosophy, Zhang strives to create a new visual language that speaks to both ancient wisdom and cutting-edge scientific understanding. His work is an ongoing investigation into the hidden structures of the cosmos, a quest to make the invisible visible, and an attempt to bridge the gap between the tangible and the metaphysical.
Ultimately, Zhang's goal is to create art that is timeless and universal, transcending cultural boundaries and speaking to the shared human experience of grappling with the mysteries of existence. Through geometric abstraction infused with Eastern philosophical depth, he hopes to contribute to a broader understanding of our place in the universe and inspire contemplation of the profound interconnectedness of all things.
This collection draws inspiration from the ancient Chinese philosophies of Taoism and I Ching, and combines them with the principles of abstract expressionism. It is also about the way we look at the world and understand it.
I Ching, also known as the Book of Changes, is a divination system that has been used for thousands of years to gain insight into the nature of reality and the universe. In this collection, the I Ching is not just a source of inspiration for the artworks; it is also a lens through which we can view the world in a new way.
Through the artworks in this collection, the audience is invited to explore the cyclical nature of life, the interplay of yin and yang, and the power of balance and harmony. The I Ching alters our way of looking at the world by encouraging us to see patterns and connections in everything around us, and to understand that everything is part of a larger whole.
By bringing together the principles of Taoism, I Ching, and abstract expressionism, this collection challenges us to question our assumptions about the world and to embrace a more holistic and interconnected view of reality.
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